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Chats With Hillary
December 2000
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- On regaining Nora's memory:
"She lost her memory? I don't remember losing my memory.
A fan suggested to me (at Super Soap Weekend), that maybe I haven't
really lost my memory. That this is just a plot! That's what
a fan thinks. I thought well, hummm. I am learning more from
this fan. They don't tell us anything at work. I think it would
be great if Nora remembered what Lindsay did. That would be great.
We'll see when that happens. I honestly don't know if it will
ever come out.
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- On working with Catherine
Hickland (Lindsay): "Oh she makes sure you see Lindsay's
vulnerable side. Whiney, whiney, whiney! If what Lindsay did
to Nora ever does come out, I think Nora will kill her. Do you
remember what happened last Thanksgiving? The food fight? This
Thanksgiving we have some fabulous things planned. Nora and Lindsay
are becoming the best of friends. We become such good friends
that we are going to throw a Thanksgiving dinner together. I
will leave it at that! I hope they make this a Thanksgiving tradition.
There is no one I like fighting with more than Catherine Hickland.
It is fun. It is always fun to work with someone who owns their
character. When you own your character, you are very clear on
who your character is. You have your own rhythm, energy, agenda.
When you own your character and your scene partner owns theirs,
it is so much fun to be in the scene with them. No matter what
you do, they don't come into your energy. When you have two very
clear people with two very clear agendas coming together, you
know something is going to happen. That's what happens when Catherine
and I, Lindsay and Nora, get into a room. Two people with separate
agendas, who are both smart. One just happens to use her brain
for evil, not good. It's interesting, it's fun, and I truly enjoy
it.
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- On being a red head: "Off
camera, it looks very dark. On camera, it is still red. Now you
will learn my little secret. When I got this job I was no redhead.
It was a mandate from ABC and my boss, Linda Gottleib back then,
for Nora to be a redhead. I said fine. However, red is a very
hard color to maintain if it is not your own. Especially if your
hair has a tendency to go more brown and blondie. My hair has
a tendency to go lighter. I would go to the same ABC-recommended
person to have my hair done, and it got redder and redder and
soon I was a carrot top. I said, guys, we gotta stop this! So,
I did a reverse process. Did that for a while, but then I would
get blonde. Then, I found something that worked for me in my
personal life. Which was to keep it darker, and let the lights
bring out the red in Nora's hair. I like it much better this
way because I'll touch it up and it gets very dark and then as
the sun plays on it, and I wash it, it gets lighter and blonder,
and you will see changes. Basically, it's the same color I am
going to, it is just that red oxidizes. It's a struggle I've
been having for years!!! I can't believe it is just coming out
now!"
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- On Nora's storyline: "I
really like Nora's journey this year. It started out in the warehouse
with Bo. I loved those scenes. I wanted to use these scenes for
the Emmys and I couldn't because it missed the cut-off date by
one day. Those scenes were very interesting. Two people who care
about each other, who have chemistry without trying, who have
an understanding and deep, deep affection for each other, even
though things between them didn't work out. So, if you start
with that as the beginning of 'Nora's journey,' then going through
her realization of what Lindsay has done and how Lindsay has
destroyed her life, and then she becomes a vengeful person, even
though that was not in her nature, but she needs to fight for
the truth to come out. Then, the train, when she finally goes
to Bo and says I can't move on with my life. I am trying, but
I can't move on with my life. I need you to forgive me for what
I did to you. And he says no. She goes away, and then there is
the train wreck. And those scenes in the train. The set itself
was the train that they twisted and wrecked. It was on angles
so that when you walked into it, you wanted to take some Dramamine.
The cameramen working in it were getting sick. They found a little
hole in it for me to crawl in, under the wreckage, so I didn't
have to walk though because it was so disorienting. We were in
there for 15 hours. Till 4 in the morning. Then, I got a nice
vacation. Laid in bed for several weeks. Then, Nora was trying
to piece together what was happening to her, and now with the
drug, where she can't even use her mind, which had always been
Nora's strongest point. That was fun to re-explore. It has always
been fun to re-invent and re-explore Nora, and bringing her back
who she was originally. Now, with no memory, what we have is
the Nora who first came to Llanveiw, straight from Chicago. Who
was feisty. A bit itchy. And wanting answers really quick. Bo
was the one who tamed her. That was what you got to see for a
bit. Then, Nora remembers Bo, and you saw the tamed Nora come
up. But for still not remembering Sam, and still not remembering
(Lindsay's duplicity) I thank the writers profusely. The only
problem with the coma storyline, was here I was lying in the
bed and I should have been withering away, but since I didn't
have to get into wardrobe, I ate myself silly. When I came back
to Llanview, wardrobe handed me my clothes and I went did you
shrink them? I fit into nothing. The white Armani suit that I
wear for "conscience Nora" usually the jacket was buttoned.
Not then. It was open. The other funny thing that happened was
during the injection scenes. Colin, Nora and Lindsay had worked
all day, doing the courtroom scenes, until about midnight. We
had three scenes left. The injection scenes. They had the EEG
hooked up, and I just lay in bed. The stage manager came up to
me and said are you okay, do you want anything? I said I was
just fine. Next thing I remember is hearing someone say, for
God sakes, the woman is blowing bubbles! I fell asleep, and had
a big spitball coming out of my mouth!"
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